Lydia Davis has been called “one of the quiet giants in the world of American fiction” (

Los Angeles Times

), “an American virtuoso of the short story form” (

Salon

), an innovator who attempts “to remake the model of the modern short story” (

The New York Times Book Review

). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as

Time

magazine observed, her stories are “moving. . and somehow inevitable, as if she has written what we were all on the verge of thinking.”

In

Varieties of Disturbance

, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.

No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.

Varieties of Disturbance

is a 2007 National Book Award Finalist for Fiction.